Admission Cost: FREE

We Were Fridays, featuring Jeff Zeigler (cello) and Reggie Gray (dance) follows a story that began in the Griot tradition of West Africa, travel to South Carolina by way of the Trans-Atlantic slave trade, then north by way of the Great Migration, and beyond. It explores the music of the Gullah people of the Low Country of South Carolina, a community which to this day has preserved more of their West African linguistic and cultural heritage than any other African American community in the United States. Gullah music has influenced spirituals, gospel, ragtime, rhythm and blues, soul, hip hop and jazz. We Were Fridays  extends this reach into the world of instrumental cello music. Told through cello, electronics, and dance, this work explores forbidden love, fractured lines and complex legacies follows a story that began in the Griot tradition of West Africa, travel to South Carolina by way of the Trans-Atlantic slave trade, then north by way of the Great Migration, and beyond. It explores the music of the Gullah people of the Low Country of South Carolina, a community which to this day has preserved more of their West African linguistic and cultural heritage than any other African American community in the United States. Gullah music has influenced spirituals, gospel, ragtime, rhythm and blues, soul, hip hop and jazz. We Were Fridays  extends this reach into the world of instrumental cello music. Told through cello, electronics, and dance, this work explores forbidden love, fractured lines and complex legacies.

The work is centered around new compositions from Etienne Charles, Tamar-kali, Hannah Ishizaki and Jeffrey Zeigler; and features choreography/dance from Flexn pioneer Reggie “Regg Roc” Gray, and a bespoke interactive book design from sister sylvester. The project is deeply rooted in an ethos of community and intergenerational learning – partnering with the Penn Center on St. Helena Island, South Carolina and the University of Georgia Culture & Community program to devise community engagement and education platforms. This work brings together community members and elders from local Gullah communities, along with students and teachers from HBCUs across the country - to engage in dialogue, conversation and creative exchange around the project’s themes of memory and diaspora. The album and touring performance work will premiere in 2026 and tour across the US and internationally.

We Were Fridays will premiere at National Sawdust in September before the Southern Exposure New Music performance.

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All Southern Exposure concerts are FREE, but patrons may reserve seats and support the Southeast’s most adventurous music series! A gift of $150 secures a seat for the entire 2026-27 season. To donate online, click here or contact Brad Martin at brad.martin@sc.edu, 803-777-0704.

Admission Cost: FREE

Admission Cost: FREE