Undergraduate piano students Richard Shao & Rachel Wu perform a two-piano recital, featuring substantial works by Chopin and Mozart.

Join the U-M Percussion Ensemble for their first concert of the 26-27 season when they will be joined by the U-M Saxophone Studio for a performance of Steven Mackey's *Blue Notes and Other Clashes*. They will also be performing works by Shelley Washington, Alyssa Weinberg, Alonzo Alexander, Christopher Deane, and Russell Wharton. The University of Michigan Percussion Ensemble is an ensemble known for bold artistry and innovation through their performances and project. The ensemble has collaborated with composers such as Michael Gordon, John Luther Adams, Emma O'Halloran, Tristan Perich, Susanna Hancock, Finola Merivale, Robert Maggio, Ted Babcock, Lesley Flanigan, Shruthi Rajeskhar, Jason Treuting, and Ivan Trevino. Recent recordings with Cantaloupe Records include the Grammy nominated *Sila: The Breath of the World* and *An Atlas of Deep Time* by John Luther Adams, as well as *Field of Vision* by Michael Gordon. The ensemble has performed at Caramoor Festival, Mass MoCA, Bang on a Can's Long Play Festival, and recently premiered Michael Gordon’s *Forest of Metal Objects* at The Met Cloisters in New York, collaborating with director Paul Lazar, choreographer Annie-B Parson, and artist Todd Colby.

SMTD Faculty perform works by Bizet, Bolcom, Donizetti, Karamanov, Strauss, and Verdi. David Blalock, tenor Jeni Houser, soprano Valdis Jansons, baritone Caitlin Lynch, soprano Milena Pajaro-van de Stadt, viola Kirk Severtson, piano

Jayce Ogren, conductor PROGRAM *Four Folk Songs*, Gabriela Lena Frank *Chamber Concerto No. 3: Divergence for 5 musicians*, Huang Ruo *Phonotopographie*, Zosha Di Castri *Aventures*, György Ligeti *This Land Sings*, Michael Daugherty

Join us for a choral program showcasing U-M composers, performers, and creative partnerships. Eugene Rogers, conductor Kenneth Sieloff, graduate student conductor (Chatman) Andy Milne, piano (Milne) Jeffrey Lyman, bassoon (Recio) PROGRAM *Try to Fly*, Andy Milne Title TBA (world premiere), 2026 Brehm Composition Prize Winner *Espial*, Matthew Recio, poetry. Aminata R. Sei *It will not change*, Stephen Chatman Mass in D major, Antonín Dvořák ––– *Parking / Traffic alert for attendees:*

*Organ Encore!* recitals feature the historic Frieze Memorial Organ in Hill Auditorium following select ensemble concerts. Organ faculty and students will offer 20-minute programs that elaborate upon the theme or concept of the preceding concert. On October 8, Professors Caroline Robinson and Nicole Keller will continue the Chamber Choir’s celebration of University of Michigan composers with a program featuring works of William Albright and William Bolcom, who wrote for the instrument in Hill Auditorium.

The Orpheus Singers, joined by the University of Michigan Baroque Chamber Orchestra, present *Mortal Flesh, Eternal Light*, an evening exploring mortality, devotion, and transcendence through two compelling works of the seventeenth and eighteenth centuries. Conducted by members of the graduate choral conducting studio, the program features excerpts from Dieterich Buxtehude’s deeply expressive *Membra Jesu Nostri, BuxWV 75*, alongside Joseph Martin Kraus’s dramatic *Requiem in D minor*. PROGRAM Excerpts from *Membra Jesu Nostri, BuxWV 75* Dieterich Buxtehude *Requiem in D minor* Joseph Martin Kraus

The Symphony Band Chamber Winds presents an eclectic collection of 20th and 21st century music for a diverse array of wind, brass and percussion instruments. From new music by Rubén Gómez, Stephen Elsinger, and Kevin Day to mid-century classics by Francis Poulenc and Robert Washburn, this program explores the wide variety of musical colors offered by the instruments of the Symphony Band. Conducted by members of the graduate band conducting studio. PROGRAM *Concertino*, Robert Washburn *Portraits of Whimsy*, Stephen Elsinger *Siempre Hay Primera Vez*, Rubén Darío Gómez *Suite française*, Francis Poulenc *Symphony Basquiat*, Kevin Day

Professor of Horn Michael Thornton performs a recital with collaborative pianist Liz Ames, including music by Albert, Bernstein, Rota, and Williams.

Designed to rehearse, perform, and examine the repertoire of the jazz big band, the Jazz Lab Ensemble explores classic, historically significant repertoire as well as new arrangements and/or compositions. This is also a class that is intended to develop the necessary skills of section lead playing, rehearsal techniques, jazz phrasing and styles. A wide selection of materials is used to attain these goals including the music of classic big bands such as the Thad Jones Orchestra, Count Basie Orchestra, Dizzy Gillespie Band, Oliver Nelson, Duke Pearson and Duke Ellington Orchestra. Dennis Wilson, conductor

Enjoy a performance by the University of Michigan Jazz Ensemble – the most competitive of the University’s jazz ensembles. Open by audition only, most seats are filled by majors within the Department of Jazz & Contemporary Improvisation. Kris Johnson, conductor

With a string section comprising all freshmen, the Philharmonia Orchestra provides student musicians an immersive opportunity to improve their large ensemble skills and play some of the greatest works in the symphonic repertoire. Jayce Ogren, conductor PROGRAM *Anemology* Steven Mackey *La mer* Claude Debussy ––– *Parking / Traffic alert for attendees:*

Students of Professor Timothy McAllister perform a recital.

Join the Concert Band for its annual chamber winds concert, titled \"Painted in Fire.\" With a program featuring chamber works for brass, woodwinds and percussion, these works come together to create an electric concert including a world premiere by student composer Peter Cohn (BM '27, composition). Courtney Snyder, conductor and graduate student conductors Jennifer Hepp, Detrich Morrison-Jones, Sean Hogan, and John Mange. PROGRAM *Fanfare Canzonique*, Brian Balmages *Embers in the Black*, Kevin Poelking *Soundpainting* *Extinguish Thou My Eyes*, David Biedenbender *Fireworks* (world premiere), Peter Cohn *Double Wind Quintet*, Alfred Reed

Experience the return of the landmark 53-bell Charles Baird Carillon, which went silent this summer for replacement of the 30 largest clappers as well as a restoration of the great steel frame from which the 43 tons of bells are suspended. Guest artist Jonathan Lehrer, University Carillonist of Grand Valley State University and Michigan State University, will perform the rededication recital, beginning with the first full performance of \"The Victors\" on the Baird Carillon since the 2017 U-M Bicentennial as a duet with U-M University Carillonist Tiffany Ng. \"The Victors\" will also be livestreamed to SMTD's YouTube channel. Lehrer's program includes \"To The Sun,\" an interactive 10-minute performance for carillon and audience cell phones celebrating data from NASA's Parker Solar Probe. The U-M Frankel Detroit Observatory will coordinate a solar observation station at the base of the carillon throughout the recital, weather permitting. Their solar telescope provides magnificent views of sunspots, prominences, and more. The outdoor audience listening space is Ingalls Mall, and listeners are advised to dress for the weather. Tours of the bell chamber will begin after the conclusion of the recital around 4:00 pm. The bell chamber may be accessed via a combination of elevator and stairs, and is not ADA accessible. *This event is supported by an Arts Initiative Project Support (AIPS) grant.* GUEST ARTIST BIO JON LEHRER is the sixth University Carillonist of Michigan State University and the second University Carillonist of Grand Valley State University. A laureate of five international competitions for carillon (including the Queen Fabiola, the Nederlandse Klokkenspel Vereniging, and the Alexius Julien Baroque competitions), he is now a prolific soloist on the global stage, with a CV that includes touring overseas on behalf of the Canada Council for the Arts, teaching masterclasses at Universities across the nation, and performing hundreds of shows on the North American renaissance festival circuit. Jon studied carillon with Geert D’Hollander, Eddy Marien, Koen Cosaert, and Ellen Dickenson and holds degrees from Yale University and the Royal Carillon School of Belgium. Having recently retired from data science and cancer research, he is focused on creating moments of beauty for busy university communities, growing the carillon art, and helping to train the next generation of expressive carillon virtuosi. Jon lives in Michigan with his partner Christy and their two cat-café adoptees, Henry and Juliet.

A monthly performance series featuring our outstanding SMTD string students as soloists and in chamber music ensembles. These young artists are selected by the faculty to perform at this prestigious event.

Join us for \"Movie Night\" featuring a screening of the 1924 Buster Keaton silent film, *Sherlock Jr.*, with a film score by composer Stephen Prutsman performed live by the Telegraph Quartet with recent U-M doctoral graduate, pianist Takeshi Nagayasu. The program also includes two other works influenced by film or staged works – Dimitri Shostakovich’s *Elegy* and *Polka*, and Erich Wolfgang Korngold’s String Quartet No. 3 in D Major, Op. 34. Shostakovich wrote *Elegy* and its companion piece *Polka* in a single night in 1931. *Elegy* is the transcription of a haunting aria from his opera *Lady Macbeth of Mtsensk*, while *Polka* is a version of a comical dance from his soccer-inspired ballet *The Golden Age*. These short pieces were lost for many years and not rediscovered until the 1980s when they were made available by the USSR State Copyright Agency. Korngold’s String Quartet No. 3 was his last chamber music work, completed in 1945. Korngold was one of the most influential composers in Hollywood, and in his third string quartet he quoted from his scores for films including *Between Two Worlds* (1944), *The Sea Wolf* (1941), and *Devotion* (1943). A stylistically versatile composer, Prutsman has written scores to accompany several of Buster Keaton’s silent films – many of which are decidedly comedic. For this story, which involves a dream sequence, a secret theft, a wild villain chase, and pining after a love interest, Prustman turns to an assortment of tones, rhythms, and musical techniques in order to emphasize the emotional stakes throughout the film. ABOUT TELEGRAPH QUARTET The Telegraph (Eric Chin and Joseph Maile, violins; Pei-Ling Lin, viola; Jeremiah Shaw, cello) formed in 2013 with an equal passion for standard and contemporary chamber music repertoire; they rose quickly, winning the prestigious 2016 Walter W. Naumburg Chamber Music Award and the Grand Prize at the 2014 Fischoff Chamber Music Competition. Today, they perform across the United States and abroad, at venues including New York City’s Carnegie Hall, Lincoln Center, and Town Hall; San Francisco’s Herbst Theatre; the Philharmonie de Paris; and at festivals including the Chautauqua Institute, Music in the Vineyards in Napa Valley, and the Emilia Romagna Festival in Italy. The Telegraph Quartet released its celebrated debut album *Into the Light* in 2018 and is currently recording an extensive three-album series titled *20th Century Vantage Points* for Azica Records, exploring string quartets of the 20th century. The first volume, *Divergent Paths* (2022), features two works that (to the best of the Quartet’s knowledge) have never been recorded on the same album before: Maurice Ravel’s String Quartet in F Major and Arnold Schoenberg’s String Quartet No. 1 in D minor, Op. 7. In August 2025, the Telegraph released the second volume, *Edge of the Storm*, which examines the turbulent years of war and its aftermath from 1941-1951 through string quartets by Grażyna Bacewicz, Benjamin Britten, and Mieczysław Weinberg. Volume three will be released in fall 2027. In addition, the Telegraph released a recording of the string quartets of Robert Sirota in summer 2026 (Azica Records) and will release a recording of Kenji Bunch string quartets in spring 2027 (Phenotypic Records). Beyond the concert stage, the Telegraph Quartet seeks to spread its music through education and audience engagement. The Quartet has given master classes, served as artists-in-residence, and launched ChamberFEAST!, a chamber music workshop in Taiwan. In fall 2020, Telegraph launched an online video project called TeleLab, in which the ensemble collectively breaks down the components of a movement from various works for quartet. In the summers of 2022 and 2024, the Telegraph Quartet traveled to Vienna to work with Schoenberg expert Henk Guittart in conjunction with the Arnold Schoenberg Center, researching all of Schoenberg's string quartets.

Senior Bachelor of Fine Arts (BFA) in Dance majors present a joint concert of their choreography at the conclusion of their studies in the dance program. Free tickets will be available in advance of the performance.

Senior Bachelor of Fine Arts (BFA) in Dance majors present a joint concert of their choreography at the conclusion of their studies in the dance program. Free tickets will be available in advance of the performance.

Senior Bachelor of Fine Arts (BFA) in Dance majors present a joint concert of their choreography at the conclusion of their studies in the dance program. Free tickets will be available in advance of the performance.

Senior Bachelor of Fine Arts (BFA) in Dance majors present a joint concert of their choreography at the conclusion of their studies in the dance program. Free tickets will be available in advance of the performance.

Acclaimed Telegraph Quartet, now in residency at the School of Music, Theatre & Dance, performs a recital. ABOUT TELEGRAPH QUARTET Erin Chin & Joseph Maile, violins Pei-Ling Lin, viola Jeremiah Shaw, cello The TELEGRAPH QUARTET formed in 2013 with an equal passion for standard and contemporary chamber music repertoire. Described by the *San Francisco Chronicle* as “…an incredibly valuable addition to the cultural landscape” and “powerfully adept… with a combination of brilliance and subtlety,” the Telegraph Quartet was awarded the prestigious 2016 Walter W. Naumburg Chamber Music Award and the Grand Prize at the 2014 Fischoff Chamber Music Competition. The quartet is currently the quartet-in-residence at the University of Michigan. The quartet has performed in New York City’s Carnegie Hall and Lincoln Center, San Francisco’s Herbst Theatre, the San Francisco Conservatory of Music’s *Chamber Masters Series*, and at festivals including the Chautauqua Institute, Kneisel Hall Chamber Music Festival, and the Emilia Romagna Festival. They have collaborated with pianists Leon Fleisher and Simone Dinnerstein; cellists Norman Fischer and Bonnie Hampton; violinist Ian Swensen; and the St. Lawrence Quartet and Henschel Quartett. A fervent champion of 20th- and 21st-century repertoire, the Telegraph Quartet has premiered works by Osvaldo Golijov, John Harbison, Robert Sirota, and Richard Festinger. In 2023, the Telegraph Quartet released *20th Century Vantage Points: Divergent Paths*, the first in a trilogy of recordings on Azica Records exploring the string quartets of the first half of the 20th century – an era of music that the group has felt especially called to perform since its formation. *Divergent Paths* features two works that (to the best of the quartet’s knowledge) have never been recorded on the same album before: Maurice Ravel’s String Quartet in F Major and Arnold Schoenberg’s String Quartet no. 1 in D minor, op. 7. The quartet’s new album, *20th Century Vantage Points: Edge of the Storm* is out now on Azica Records.