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Class / Instruction:High School Vocal Master Class with Charsie Sawyer
in 13 hours in 36 minutes
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Class / Instruction:Harry T. Burleigh Vocal Master Class with Gregory Broughton
in 15 hours in 36 minutes
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Lecture / Discussion:'Owens at 100': Dr. Darryl Taylor Lecture
in 16 hours in 36 minutes
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Class / Instruction:Spirituals Master Class with Robert Sims
in 18 hours in 6 minutes
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Class / Instruction:Pre-Professional Vocal Master Class with George Shirley
in 21 hours in 36 minutes
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Class / Instruction:Pre-Professional Vocal Master Class with Karen Slack
in 21 hours in 36 minutes
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Class / Instruction:College/ Pre-Professional Vocal Master Class with Lenora Green Turner
May. 17
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Class / Instruction:College/ Pre-Professional Vocal Master Class with George Shirley and Louise Toppin
May. 17
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Performance:Winners' Concert: 2026 George Shirley Vocal Competition
May. 17
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Ceremony / Service:Placement and Special Prize Awards Ceremony: 2026 George Shirley Vocal Competition
May. 17
The Department of Dance presents *ANOMALY*, a Bachelor of Fine Arts in Dance concert with original choreography by Anna Bodescu and Ame Vidrio, in collaboration with U-M alumni and undergraduate dance students. Tickets are free and are available via Eventbrite. The house will open at 7:00pm. *A Slippery Subject*, choreographed by Anna Bodescu in collaboration with dancers, addresses how we continue to rebuild and rebuild and rebuild the landscape that we call reality. Our time is spent, earned, lost, frozen, stretched, and taken from us. This work investigates how and what we adapt in order to survive. In what ways is resilience beaten into our bodies? Drawing inspiration from the anecdotes and experiences from those far, near and dear, this piece unfolds as a nonlinear progression of universal underpinnings. *Eroding Landscapes*, choreographed by Ame Vidrio in collaboration with dancers, explores identity across past, present, and future states through four interconnected themes: ancestral connections, bonds, erosion, and rebirth. Each theme examines both the transformation and stagnation of the self. These concepts are supported through both physical and symbolic materials. Raw elements such as dirt, rope, and wood intersect with manufactured objects like wire, heels, and contact microphones, all on stage, guiding the viewer toward layered interpretations of control, decay, lineage, and self-determination.