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GRAND TRADITION
in 10 hours in 35 minutes
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HAWTHORN: ELECTROACOUSTIC WORKS FOR SOLO PERCUSSION
Oct. 22
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TRIALS
Oct. 22
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SANDBOX RESIDENCY AND PERFORMANCE
Oct. 25
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SHADOWS
Oct. 27
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LA BOHÈME
Oct. 29
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SAME GESTURE, DIFFERENT CENTURY: RETHINKING MODERNIST PERFORMANCE PRACTICE THROUGH THE MICROTIMING OF THE GAVOTTE
Oct. 30
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LA BOHÈME
Oct. 30
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LA BOHÈME
Oct. 31
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CROSSINGS
Nov. 06
Event Name: SEVEN LAST WORDS FROM THE CROSS
Organizer: CCMSched@ucmail.uc.edu
Event Locator: 2025-ADJAZR
• Choral Series •
CCM Chamber Choir
Joe Miller, music director and conductor
Featuring guest Chamber Orchestra
Widely admired as one of James MacMillan’s finest achievements, Seven Last Words from the Cross is an absorbing and moving concert experience for performers and audience alike. The cantata follows Christ’s final words at the Crucifixion, meditating on each to form a dramatic and emotional sequence. Both the vocal and instrumental parts draw on characteristic models: Lutheran baroque techniques for the chorus, and the sophisticated British and Polish 20th century traditions of writing for the string orchestra. Along with the MacMillan will be Samuel Barber's Adagio for Strings, offering a sumptuous respite from the emotional Lenten drama.
BARBER: Adagio for Strings
MACMILLAN: Seven Last Words from the Cross