University Singers – Betsy Burleigh, conductor, with Chris Albanese, tenor; Ingrid Matthews and Danqi Zeng, baroque violin; Macarena Sanchez Ruíz, baroque cello; and Jonathan Oddie, harpsichord; Shayla Van Hal, organ; and the Pacifica Quartet with Marta Aznavoorian, piano (guest) Enjoy this performance from almost anywhere in the world viaLIVE@jacobs!Repertoire Mielczewski: Canzona prima a 3 (c.1630)Moniuszko: Selections from "Sonety krymskie (Crimean Sonnets)" (1867)Sawa: Ecce lignum crucis (1986) Zarębski: Piano Quintet in G Minor, Op. 34 (1885)About the ArtistsChris Albanese is Pam and Jack Burks Associate Professor of Choral Conducting at the Indiana University Jacobs School of Music, where he conducts the Grammy-nominated Singing Hoosiers. Under his direction, the Singing Hoosiers were invited to perform at national conferences of the American Choral Directors Association in 2025 and 2021. He has led and prepared the ensemble for performances with notable guests, including Sylvia McNair and Sandi Patty. In recognition of his excellence in teaching, he was awarded Indiana University's Trustees Teaching Award in 2022. Before Indiana, Albanese was a member of the Grammy Award-winning ensemble Chanticleer. With Chanticleer, he performed across the United States and abroad, including at Los Angeles's Disney Hall, Vienna's Musikverein, Prague's Rudolfinum, and St. Petersburg's Mariinsky Theater. With the ensemble, he appeared with the ensemble as a featured guest on The Hallmark Network's Home and Family. Albanese concurrently serves as music director of the Akron Symphony Chorus where he has prepared the chorus to critical acclaim for performances of works including Beethoven's Symphony No. 9, Mozart's Mass in C Minor, Haydn's The Creation, Brahms's Ein deutsches Requiem, and the world premiere of Julia Perry's Frammenti dale lettere di Santa Caterina. An active concert singer and recitalist, Albanese's performance credits include appearances with the Santa Fe Desert Chorale, Skylark Ensemble, Columbus Indiana Philharmonic, Dayton Opera, Ars Musica Chicago, the Castleton Festival under the baton of Maestro Lorin Maazel, and Chamber Fest in a performance of Britten's Canticle III, Op. 55, with Konstyantin Travinsky (piano) and Oto Carrillo (horn). Albanese has presented workshops and led festival choirs across the United States and abroad, most recently for the Indiana State School Music Association, Michigan State Vocal Music Association, and Ohio Valley Choral Festival. He earned a B.M. in Music Education and Vocal Performance from the University of Dayton, an M.M. in Vocal Performance from Northwestern University, and a D.M.A. in Choral Conducting from the University of Cincinnati College-Conservatory of Music. A multi-Grammy nominated artist, pianist Marta Aznavoorian performs to critical acclaim on the world stage as an orchestral soloist, recitalist, chamber musician, and educator. She made her professional debut at age 13 with the Chicago Symphony Orchestra at the invitation of Sir George Solti. A champion of new music, she collaborates with several of today's most innovative composers and has been recognized for her outstanding outreach, performance, and mentoring in the United States and abroad. She is a founding member of the celebrated Lincoln Trio and the Aznavoorian Duo with her sister, Ani. A Steinway Artist, Aznavoorian currently serves as lecturer in piano and chamber music at DePaul University and records extensively under the Cedille Records Label. A student of the renowned teacher Menahem Pressler, Aznavoorian earned a bachelor's degree and an Artist Diploma at the Indiana University Jacobs School of Music and a master's degree from New England Conservatory, where she studied with Patricia Zander.Betsy Burleigh is Thomas R. Kasdorf Professor of Choral Conducting and professor of music at the Indiana University Jacobs School of Music, where she was chair of the Choral Conducting Department from 2013 to 2024. Burleigh served as music director of the Mendelssohn Choir of Pittsburgh from 2006 to 2015, leading performances of Brahms' Requiem, Bach's B Minor Mass, Rachmaninoff's All-Night Vigil, and Mozart's Great Mass in C Minor, and preparing the choir for performances with the Pittsburgh Symphony Orchestra (PSO). As a guest conductor, Burleigh has led the PSO, Rhode Island Philharmonic, Akron Symphony, Canton Symphony, and Handel Society of Dartmouth College. She prepared the Tanglewood Festival Chorus for performances with the Boston Symphony Orchestra and the Cincinnati May Festival Chorus for performances with the Cincinnati Pops. Burleigh served as assistant director of The Cleveland Orchestra Chorus for 11 years, during which time she prepared the chorus for all performances at the Blossom Festival and oversaw the chorus for Pierre Boulez's Deutsche Gramophone recording of Berlioz's Roméo et Juliette. Other positions have included directing the Providence Singers, Akron Symphony Chorus, Canton Symphony Chorus, and Mastersingers of Lexington. Acclaimed for her oratorio conducting, Burleigh's Chorus pro Musica performance of Haydn's Creation was praised as an "expansive, poetic reading" (The Boston Globe). Her rendition of Orff's Carmina Burana was called both "nuanced" and "hair-raising" (The Boston Musical Intelligencer). She won the 2000 Northern Ohio Live Achievement Award for best classical/opera performance for Ulmann's Der Kaiser von Atlantis and conducted The Cleveland Orchestra Chorus on an Emmy Award-winning concert for the 9/11 Red Cross Disaster Relief Fund. Burleigh previously held teaching positions at Tufts, Clark, Southeastern Massachusetts, and Cleveland State universities, Longy School of Music, and the Massachusetts Institute of Technology. She earned a Bachelor of Music Education degree with distinction from Indiana University, a Master of Music in Choral Conducting degree with distinction from the New England Conservatory of Music, and a Doctor of Music in Choral Conducting from the Jacobs School.Ingrid Matthews teaches baroque violin in the Historical Performance Institute at the Indiana University Jacobs School of Music. She served previously as music director of the Seattle Baroque Orchestra and has appeared as a soloist, guest director, and concertmaster for leading early music ensembles including the New York Collegium, Australian Brandenburg Orchestra, Boston Early Music Festival Orchestra, Ars Lyrica, Tafelmusik Baroque Orchestra, Musica Angelica, The Bach Sinfonia, Indianapolis Baroque Orchestra, and many others. She is also a member of San Francisco-based chamber ensemble Musica Pacifica and has held teaching residencies at the University of Southern California, University of Toronto, Oberlin College, Cornish College of the Arts, New England Conservatory, and others. Herself a competition winner (she received first prize in the 1989 Erwin Bodky International Competition for Early Music), Matthews has served as a juror for competitions such as the Maurice and Lillian Barbash International Bach Competition and the Indianapolis Early Music Competition. Matthews has received high critical acclaim for her extensive discography; her recording of the Sonatas and Partitas for unaccompanied violin of J. S. Bach was named "top recommendation for this music…on either period or modern instruments" by American Record Guide, and her recording of Biagio Marini is included in the Norton Anthology of Music used by conservatories and universities worldwide.Jonathan Oddie is professor of practice in historical performance (historical keyboards) at the Indiana University Jacobs School of Music. Oddie is in demand across the United States as a versatile performer on harpsichord, fortepiano, and continuo organ. As a continuo player, he works with leading musicians including violinist Dmitry Sinkovsky and flutist Janet See and with orchestras including Portland Baroque Orchestra and the Seattle Symphony. He has performed on chamber music series including Gallery Concerts Seattle and the Philadelphia Chamber Music Society, and he has been featured as a soloist with the Northwest Sinfonietta and Saratoga Orchestra. Oddie studied piano and harpsichord at Indiana University, where his teachers included Elisabeth Wright, Jean-Louis Haguenauer, and Edmund Battersby. He also earned a doctorate in musicology from the University of Oxford, where he researched the instrumental music of English composer Orlando Gibbons (1583-1625). Oddie has published research in the journals Early Music and Historical Performance. His awards include a Performer's Certificate from the Jacobs School of Music and a Frank Huntington Beebe Fellowship. Recognized for its virtuosity, exuberant performance style, and daring repertory choices, the Pacifica Quartet has achieved international recognition over the past 30 years as one of the finest chamber ensembles performing today, establishing itself as the embodiment of the ideal American quartet sound. Named faculty string quartet-in-residence at the Indiana University Jacobs School of Music in 2012, Pacifica was previously quartet-in-residence at the Metropolitan Museum of Art and most recently received its second Grammy Award for Best Chamber Music Performance for Contemporary Voices (2020), featuring the works of three Pulitzer Prize–winning women. In 2017, the Quartet was appointed to lead the Center for Advanced Quartet Studies at the Aspen Music Festival and School. Formed in 1994, the Pacifica Quartet quickly won chamber music's top competitions, including the 1998 Naumburg Chamber Music Award. In 2002, the ensemble was honored with Chamber Music America's Cleveland Quartet Award and the appointment to Lincoln Center's The Bowers Program, and in 2006 was awarded a prestigious Avery Fisher Career Grant. The Pacifica Quartet has proven itself the preeminent interpreter of string quartet cycles, having given highly acclaimed performances of the complete Carter, Mendelssohn, Beethoven and Shostakovich cycles in numerous cities across the United States, in Australia, and in Tokyo and London. An ardent advocate of contemporary music, Pacifica commissions and performs many new works, including compositions by Keeril Makan, Julia Wolfe, and Shulamit Ran. The Quartet has recorded the Carter cycle (Naxos) and the Shostakovich cycle (Cedille Records) to rave reviews. Other recording projects include Leo Ornstein's piano quintet with Marc-André Hamelin, the Brahms piano quintet with Jacobs Distinguished Professor Menahem Pressler, and the Brahms and Mozart clarinet quintets with Anthony McGill. Prior to its appointment to the Jacobs School, Pacifica was on the faculty of the University of Illinois Urbana-Champaign for 9 years and served as resident performing artists at the University of Chicago for 17 years. Visit pacificaquartet.com for more information. Meeting URL:

About the DirectorDaniel Duarte is senior lecturer in music in guitar at the Indiana University Jacobs School of Music. He is an active guitarist, arranger, conductor, and lecturer who has collected prizes in several guitar and chamber music competitions in the United States, Europe, and Latin America. Duarte is also a multi-instrumentalist who performs on different types of guitars and as a flutist. Duarte's primary studies were with guitarist Henrique Pinto, followed by William Buonocore, Eliot Fisk, and Ernesto Bitetti. He earned a D.M. at the Jacobs School while focusing his academic research on the topic of multiculturalism and guitar music. During his doctoral studies, Duarte had his research supported by the Presser Foundation as a recipient of the outstanding graduate music student award. His academic work also lead Marshall University to award him the Joan C. Edwards Distinguished Professor of Arts award. At Jacobs, he is the founder and director of the Guitar Ensemble, composed of 12 undergraduate and graduate students who perform fundamental repertoire related to the classical guitar tradition and various other styles while featuring original works and arrangements written specifically for the ensemble. Duarte also directs the IU All-Campus Guitar Ensemble and teaches general education lectures that cover broad historical subjects related to music and guitar. At Jacobs, he has also collaborated as director of ensembles of the Latin American Music Center. As a touring artist, Duarte presents concerts with fellow guitarist and Jacobs faculty member Petar Jankovic. The duo has had dozens of appearances since 2016, reaching audiences throughout the United States and abroad while featuring a modern approach to the classical guitar repertoire during concerts and master classes.

About the DirectorDaniel Duarte is senior lecturer in music in guitar at the Indiana University Jacobs School of Music. He is an active guitarist, arranger, conductor, and lecturer who has collected prizes in several guitar and chamber music competitions in the United States, Europe, and Latin America. Duarte is also a multi-instrumentalist who performs on different types of guitars and as a flutist. Duarte's primary studies were with guitarist Henrique Pinto, followed by William Buonocore, Eliot Fisk, and Ernesto Bitetti. He earned a D.M. at the Jacobs School while focusing his academic research on the topic of multiculturalism and guitar music. During his doctoral studies, Duarte had his research supported by the Presser Foundation as a recipient of the outstanding graduate music student award. His academic work also lead Marshall University to award him the Joan C. Edwards Distinguished Professor of Arts award. At Jacobs, he is the founder and director of the Guitar Ensemble, composed of 12 undergraduate and graduate students who perform fundamental repertoire related to the classical guitar tradition and various other styles while featuring original works and arrangements written specifically for the ensemble. Duarte also directs the IU All-Campus Guitar Ensemble and teaches general education lectures that cover broad historical subjects related to music and guitar. At Jacobs, he has also collaborated as director of ensembles of the Latin American Music Center. As a touring artist, Duarte presents concerts with fellow guitarist and Jacobs faculty member Petar Jankovic. The duo has had dozens of appearances since 2016, reaching audiences throughout the United States and abroad while featuring a modern approach to the classical guitar repertoire during concerts and master classes.

PerformersMark Kaplan, violin Jaekeun Song, pianowithPei-San Chiu, fluteJeffrey Curnow, trumpetDavid Dzubay, conductorBrittany Lasch, tromboneAndrea Levine, clarinetKathleen McLean, bassoonDenise Tryon, hornJessica Warren, oboeAdditional performers to be announcedRepertoire Schoenberg: Phantasy, Op. 47 (1949)Webern: Four Pieces, Op. 7 (1910/14)Berg: Kammerkonzert for piano, violin, and 13 winds (1925)About the Artists A soloist of international distinction, violinist Mark Kaplan has performed with nearly every American, European, and Australian orchestra, and with many of the world's great conductors, including Ormandy, Rattle, Maazel, Masur, Dutoit, Salonen, Semkov, Skrowaczewski, and Tennstedt. He has made highly acclaimed concerto and recital appearances in all the musical centers of America and Europe, as well as in Australia, New Zealand, Malaysia, Hong Kong, China and Singapore. Kaplan is also devoted to chamber music, appearing with pianist Yael Weiss and cellist Peter Stumpf as the Weiss-Kaplan-Stumpf Trio, with recordings and concert tours world-wide. Prior to that he performed and recorded extensively for two decades in the Golub-Kaplan-Carr Trio with cellist Colin Carr and the late pianist David Golub. Especially known for his interpretations of twentieth- and twenty-first-century works and the great German classics, his extensive discography of over 45 commercial CDs includes concertos, solo, and chamber works from Paganini, Bartók, Berg, Sarasate, and Nono to Schubert, Brahms, and Schumann, as well as two complete recordings of Bach's solo violin works. Since 2005, he has been professor of music in violin at the Indiana University Jacobs School of Music, following a decade as professor at UCLA. Kaplan is a graduate of The Juilliard School, where he studied with Dorothy DeLay.Pei-San Chiu is adjunct associate professor of music in flute at the Indiana University Jacobs School of Music. An internationally acclaimed Taiwanese flutist and educator, she debuted at Carnegie Hall in 2012 as first-prize winner of the Alexander & Buono International Flute Competition and has performed across the United States, Brazil, Japan, South Korea, Hong Kong, China, and Singapore in solo, chamber, and orchestral settings. From 2013 to 2016, Chiu served as principal flute of the Lexington Philharmonic, praised by the Lexington Herald-Leader for her "character and vitality," and has performed as guest principal with the National Symphony Orchestra in Taiwan, the Guangzhou Symphony, and the Shenzhen Symphony. A passionate advocate for contemporary music, she has commissioned and premiered works by Bin Li, Tsung-Jen Hsieh, Mei-Chun Chen, Zhou Tian, and Yu-Chun Hu. Her solo album, Air, featuring works by female composers, was nominated for Best Art Music Album at the 2025 Golden Melody Awards in Taiwan. She also performs with the Formosa Trio, Aureus Duo, and Trio 2:1, releasing albums including First Impression, Anniversary, and The Sound of Flowers. Chiu has also been associate professor of flute at Tunghai University since 2016. She earned Master of Music and Doctor of Music degrees from the Jacobs School and received the 2020 Teaching Excellence Award at Tunghai University. She continues to inspire audiences and students alike through her innovative artistry and dedication to advancing the flute repertoire and pedagogy.Jeffrey Curnow is professor of music in trumpet at the Indiana University Jacobs School of Music. He began his career as an undergraduate at Temple University, where he quickly won a coveted position as concerto competition soloist at the Philadelphia Academy of Music. In 1983, Curnow was appointed principal trumpet of the New Haven Symphony and soon after, became a member of the New York Trumpet Ensemble, recording on the MMG/Vox and Newport Classics labels. Four years later, he joined the internationally renowned Empire Brass Quintet. Over the course of his tenure with this ensemble, he recorded 15 compact discs for the Angel EMI and Telarc labels, appeared on The Today Show, Good Morning America, St. Paul Sunday Morning, Taipei Television, Japan Television, and BBC Television and Radio, and performed with such ensembles as the Philadelphia Orchestra, Chicago Symphony Orchestra, Saint Louis Symphony Orchestra, National Symphony Orchestra, Minnesota Orchestra, and major orchestras in Japan and Switzerland. In 1995, Curnow was appointed principal trumpet of the Dallas Symphony Orchestra, recording 14 CDs on the Delos label and appearing as soloist on several occasions, notably for Lowell Liebermann's Concerto for Trumpet and Orchestra, and Bach's Brandenburg Concerto No. 2. In 2001, he joined the Philadelphia Orchestra as associate principal trumpet, touring worldwide with the ensemble and recording on the Ondine and Deutsche Grammophon labels. Well established as an educator, Curnow has taught at the University of Connecticut, Boston University, Boston University's Tanglewood Institute, the Royal Academy of Music in London, Temple University, and the Curtis Institute of Music. He earned a Bachelor of Music from Temple University.David Dzubay's compositions have been performed in the United States, Europe, Canada, Mexico, and Asia by the symphony orchestras of Aspen, Atlanta, Baltimore, Boston, Cincinnati, Detroit, Fort Wayne, Guangxi, Guiyang, Honolulu, Kansas City, Louisville, Memphis, Minnesota, Oregon, Oakland, St. Louis and Vancouver; the American Composers Orchestra, National Symphonies of Ireland and Mexico, New World Symphony, National Repertory Orchestra, and New York Youth Symphony; and ensembles including the Grossman Ensemble, Le Nouvel Ensemble Moderne, Onix, Manhattan and St. Louis Brass Quintets, Voices of Change, the Alexander, Orion and Pacifica string quartets, the League/ISCM, Earplay, and the San Francisco Contemporary Music Players. His music has been championed by conductors including James DePreist, George Hanson, Keith Lockhart, David Loebel, Michael Morgan, Eiji Oue, Richard Pittman, Iván del Prado, Mark Russell Smith, Lawrence Leighton Smith, Michael Stern, Carl Topilow, David Wiley, Kirk Trevor, Thomas Wilkins, and David Zinman. Honors include two Fromm Music Foundation commissions; Guggenheim, MacDowell, Yaddo, Copland House, and Djerassi fellowships; the Kuhmo Chamber Music Festival Composition Competition, Indianapolis Chamber Orchestra Composition Competition, Utah Arts Festival Commission, William Revelli and Walter Beeler Memorial Prizes, Wayne Peterson Prize; and grants from the Aaron Copland Fund for Music for two portrait CDs. Currently professor of music and director of the New Music Ensemble at the Indiana University Jacobs School of Music in Bloomington, Dzubay was previously on the faculty of the University of North Texas in Denton. Since 2011, he has taught composition for three weeks each summer at the Brevard Music Center. From 1995 to 1998, he served as composer-consultant to the Minnesota Orchestra and during the 2005-06 season, he was Meet the Composer/American Symphony Orchestra League Music Alive Composer-in-Residence with the Green Bay Symphony Orchestra. Dzubay has conducted at the Tanglewood, Aspen, and June in Buffalo festivals as well as the National Symphony of Columbia, Grossman Ensemble, League of Composers Orchestra, Pittsburgh New Music Ensemble, Music from China, and Voices of Change. A winner of the S&R Foundation Washington Award and Astral Artists National Auditions, trombonist Brittany Lasch is associate professor of music in trombone at the Indiana University Jacobs School of Music, where she has taught since 2023. Lasch has appeared as a soloist throughout the world with ensembles ranging from the U.S. Army Band "Pershing's Own" to the Queens Symphony and the Sante Fe (Argentina) Municipal Band. With playing described as "masterful" (Syracuse Post-Standard), American Record Guide recently hailed Lasch as an "excellent soloist" across a diverse range of repertoire. Lasch has been a featured guest artist at numerous festivals, including the International Trombone Festival, the International Women's Brass Conference, and the American Trombone Workshop. For six seasons, Lasch was the principal trombone of the Detroit Opera Orchestra at the Detroit Opera House. She has performed with orchestras nationwide, such as the San Francisco Symphony, the Los Angeles Philharmonic, Indianapolis Symphony, St. Louis Symphony, Detroit Symphony, and the Nashville Symphony. An active presence in the global trombone community, Lasch has recently performed at Argentina's Trombonanza and Portugal's Grav��ssimo Festival. An advocate for new music, Lasch has commissioned and performed several new pieces for the trombone, including acclaimed composer Reena Esmail's major Sonata for Trombone and Piano, which is featured on her debut album, Dark Horse (available on all streaming platforms). Lasch has previously served as faculty at the College of Musical Arts at Bowling Green State University and the Boston University Tanglewood Institute. She has also been a featured teacher and performer at summer festivals, including the Sewanee Music Festival and the DC Trombone Workshop, and she has presented master classes at universities across the country and internationally. A native of Queens, New York, Andrea Levine was appointed principal clarinet of the Louisville Orchestra in 2003. She also served as acting principal clarinet of the Detroit Symphony Orchestra for the 2017-18 season. She won the position of interim assistant principal of the Colorado Symphony during the 2011-12 season. She also won the position of interim second clarinet of the Cleveland Orchestra during the 2007-08 season and joined them on two European tours. Prior to joining the Louisville Orchestra, she spent a year as a member of the New World Symphony in Miami, Florida. Before joining New World, she served as interim principal clarinet of the Akron Symphony while completing a Professional Studies Diploma at the Cleveland Institute of Music. She earned an undergraduate degree at the Eastman School of Music. In addition to serving as principal clarinet of the Britt Festival Orchestra, she has held the same position at the Artosphere Festival. She has appeared as guest principal clarinet of the Cincinnati , Baltimore , Detroit , and Saint Louis symphony orchestras. She has also appeared as a soloist with the Louisville Orchestra, Detroit Symphony, Artosphere Festival Orchestra, the New World Symphony, and Eastman Philharmonia. Levine is also an active teacher, having presented master classes at the Eastman School of Music, University of Michigan, University of Florida, Cincinnati Conservatory of Music, University of Tennessee, and University of Louisville. She is currently adjunct associate professor of music in clarinet at the Indiana University Jacobs School of Music. Her teachers have included Daniel Gilbert, Kenneth Grant, Franklin Cohen, Yehuda Gilad, Mitchell Estrin, and Ricardo Morales. She loves living in Louisville with her husband, Jack Griffin, and their two cockapoos, Gus and Leo.Kathleen McLean is associate professor of music (bassoon) at the Indiana University Jacobs School of Music. She is one of the most acclaimed orchestral bassoonists in North America. Internationally recognized, McLean was the associate principal bassoon of the Toronto Symphony Orchestra from 1992 to 2009 and is a sought-after chamber and orchestral musician, recitalist, and teacher. She was appointed to the faculty of the University of Toronto in 1989, became a faculty member at the Royal Conservatory of Music and the Glenn Gould Professional School in 2002, and began as a bassoon instructor with the National Youth Orchestra of Canada in 2009. McLean's former orchestral appointments include principal bassoon of the Canadian Opera Company and guest principal bassoon with the London Symphony Orchestra and the National Arts Centre Orchestra. Since 2001, she has toured extensively with the prestigious World Orchestra for Peace under the baton of Valery Gergiev. McLean has participated in many chamber music festivals, including the Evian International Festival, Vancouver Chamber Music Festival, Scotia Festival, and the Ottawa Chamber Music Festival. She performs frequently with New Music Concerts, Amici Ensemble, and is a founding member of the Caliban Quartet, Toronto Wind Quintet, and the Canadian Winds.Denise Tryon is professor of music in horn at the Indiana University Jacobs School of Music, where she has taught since 2023. She previously served as professor of horn at the University of Cincinnati College-Conservatory of Music. She joined the famed American Horn Quartet as fourth horn in 2019. She was previously fourth horn of the Philadelphia Orchestra and held positions with the Detroit, Baltimore, Columbus, and New World Symphonies. She also served as horn professor at the Peabody Institute from 2007 to 2019. Tryon attended the Interlochen Arts Academy and earned a Bachelor of Music degree from the New England Conservatory of Music (NEC). She received the Presidential Scholarship while in the Artist Diploma Program at NEC with the Taiyo Wind Quintet, which won the Coleman Chamber Competition. An active and accomplished educator, Tryon has taught master classes extensively in the United States, Scandinavia, Europe, Asia, and South America. She has been a featured artist at many International Horn Society Symposiums and Regional Workshops and has been a featured artist at the Nordic Hornfest, Blekinge International Brass Academy, Warsaw Horn Workshops, CORNO Brass Music Workshop, and Domaine Forget. Since 2017, she's been a faculty member at Rafael Mendez Brass Institute in Denver. She is frequently on faculty with Carnegie Hall's National Youth Orchestra. A champion of new music, Tryon commissioned four new pieces for low horn and piano for her 2015 album SO-LOW. The American Prize awarded her with a special judges' citation for Important Commitment to the Music of Our Time. She commissioned six pieces for low horn for her 2020 album Hope Springs Eternal, for which she won the 2022 American Prize in Instrumental Performance. Her 2017 horn duo album A Pair of Aces, featuring Tryon and Karl Pituch, won a silver medal from the Global Music Awards. In 2009, she and Pituch founded the annual horn seminar Audition Mode, which focuses on the skills horn players need to be successful in orchestral auditions.Jessica Warren is adjunct associate professor of music in oboe at the Indiana University Jacobs School of Music. She performs regularly with leading ensembles including the National Symphony Orchestra, Kennedy Center Opera House Orchestra, Wintergreen Festival Orchestra, and Berkshire Bach Society. She recently served as guest principal oboe with the United States Air Force Band during its spring 2024 multistate tour. A Jacobs School alumna and two-time fellow at the Tanglewood Music Center, Warren brings significant teaching experience from positions at George Washington University, the Interlochen Center for the Arts, and the New England Conservatory. Warren specializes in oboe reedmaking education and oboe gouging machine training. Her dissertation, "Significant Learning as Reedmaking Pedagogy," evaluated and reimagined collegiate reedmaking curricula. She regularly presents lectures and master classes in the area of mindfulness in reedmaking and practicing. Warren earned a Doctor of Musical Arts degree from Boston University, studying under John Ferrillo. She earned a Performer Diploma and a Master of Music degree under Linda Strommen at Jacobs and a bachelor's degree under Robert Sorton at The Ohio State University.

Repertoire Quantz: Trio Sonata in C Minor, QV 2:Anh. 5Ginastera: Duo, Op. 13 (1945)Dring : Trio (1968)Still: Miniatures (1948)Gaubert: Tarentelle (1903)About the ArtistPei-San Chiu is an internationally acclaimed Taiwanese flutist and educator. She debuted at Carnegie Hall in 2012 as first-prize winner of the Alexander & Buono International Flute Competition and has performed across the United States, Brazil, Japan, South Korea, Hong Kong, China, and Singapore in solo, chamber, and orchestral settings. From 2013 to 2016, she served as principal flute of the Lexington Philharmonic, garnering praise for her "character and vitality" (Lexington Herald-Leader), and has performed as guest principal with the National Symphony Orchestra in Taiwan, Guangzhou Symphony, and Shenzhen Symphony. A passionate advocate for contemporary music, she has commissioned and premiered works by Bin Li, Tsung-Jen Hsieh, Mei-Chun Chen, Zhou Tian, and Yu-Chun Hu. Her solo album Air, featuring works by female composers, was nominated for Best Art Music Album at the 2025 Golden Melody Awards in Taiwan. She also performs with the Formosa Trio, Aureus Duo, and Trio 2:1, releasing albums including First Impression, Anniversary, and The Sound of Flowers. Chiu is associate professor of flute at Tunghai University, where she received the 2020 Teaching Excellence Award, and adjunct associate professor of flute at the Indiana University Jacobs School of Music. She earned Master of Music and Doctor of Music degrees from the Jacobs School. Chiu continues to inspire audiences and students alike through her innovative artistry and dedication to advancing the flute repertoire and pedagogy.Hsuan Chang Kitano is adjunct lecturer in music in historical performance (fortepiano and harpsichord) at the Indiana University Jacobs School of Music, where she has been on faculty since 2013. Her performance and recording engagements on fortepiano, harpsichord, basso continuo, and piano have taken her to prominent venues in Taiwan, Singapore, Malaysia, Germany, Italy, and the United States. A prizewinning keyboard soloist, she has been the winner of the Indianapolis Baroque Orchestra/Early Music Institute Concerto Competition (harpsichord) and the Early Music Institute Concerto Competition (fortepiano). Her playing on harpsichord and fortepiano has been praised for its "elegance with admirable clarity" (The Herald-Times). Kitano is an active scholar in the field of eighteenth-century keyboard music. Her research on improvisation in keyboard music of the Classical Era was influenced by Robert Levin while she worked as a visiting scholar at Harvard University. Her historical keyboard performances have been informed by master classes of Skip Sempé, Pierre Hantai, Christopher Rousset, Trevor Pinnock, and Malcolm Bilson. Kitano's current research focuses on intercultural musical improvisation. Building on her knowledge of historical performance practice of Baroque thorough bass and eighteenth-century improvisation on cadenza and Eingänge, she has conducted collaborative projects with traditional music of India, Taiwan, and China. She also works with museums on historical keyboard instrument restoration in addition to a project regarding a different tuning system on her recording of the Bach Goldberg Variations at Zuckermann Harpsichords International. Kitano earned D.M. and M.M. degrees from the Jacobs School.Melivia Raharjo is lecturer in music in collaborative piano at the Indiana University Jacobs School of Music. Born in Indonesia, she is an avid collaborative pianist and has appeared in chamber performances with such renowned artists as the Takács Quartet, Roger Vignoles, Jaime Laredo, Olga Dubossarskaya Kaler, Mark Kosower, and Richard Weiss. One of the official pianists of the 11th International Violin Competition of Indianapolis in 2022, she was awarded special prizes for best performances of the Mozart and Beethoven sonatas with gold medalist Sirena Huang. She also has been playing for the cello master class program in Hidden Valley Music Seminar since 2022. Raharjo is a Music Academy of the West alumna and won the Duo Competition with violist Keoni Bolding in 2021. As part of the prize package, they performed a recital in Santa Barbara for which they created a program including special lighting effects to enhance its theme of night, from dusk through dawn. The recital also included the world premiere of Conrad Tao's "Churn." Previously, she worked as a staff pianist at the Cleveland Institute of Music, where she studied with Anita Pontremoli for her master's degree and artist diploma in collaborative piano. Raharjo discovered her passion in collaborating with other musicians while pursuing a bachelor's degree at Yong Siew Toh Conservatory of Music in Singapore, studying with Albert Tiu. Performing with other musicians who are passionate about music brings so much joy to her life she hopes that their performances inspire others to play more chamber music in the future.Jessica Warren is adjunct associate professor of music in oboe at the Indiana University Jacobs School of Music. She performs regularly with leading ensembles including the National Symphony Orchestra, Kennedy Center Opera House Orchestra, Wintergreen Festival Orchestra, and Berkshire Bach Society. She recently served as guest principal oboe with the United States Air Force Band during its spring 2024 multistate tour. A Jacobs School alumna and two-time fellow at the Tanglewood Music Center, Warren brings significant teaching experience from positions at George Washington University, the Interlochen Center for the Arts, and the New England Conservatory. Warren specializes in oboe reedmaking education and oboe gouging machine training. Her dissertation, "Significant Learning as Reedmaking Pedagogy," evaluated and reimagined collegiate reedmaking curricula. She regularly presents lectures and master classes in the area of mindfulness in reedmaking and practicing. Warren earned a Doctor of Musical Arts degree from Boston University, studying under John Ferrillo. She earned a Performer Diploma and a Master of Music degree under Linda Strommen at Jacobs and a bachelor's degree under Robert Sorton at The Ohio State University.