Enjoy this performance from almost anywhere in the world viaLIVE@jacobs!Repertoire to be announcedAbout the Artists Pianist Kyunghoon Kim is lecturer in music in chamber and collaborative music at the Indiana University Jacobs School of Music. A native of South Korea, Kim made his debut at the age of 12 with the Solideo Philharmonic Orchestra. He has been a featured soloist with numerous orchestras in South Korea, Vietnam, and the United States, including two appearances with the IU Symphony Orchestra as a concerto competition winner. His performance of Franz Liszt's Piano Concerto No. 2 with conductor Arthur Fagen was praised as being "not only bombastic, but intensely musical, rich in nuances, introspective, lyrical" (Herald-Times). Kim's solo performing career includes prizes and awards from the Chautauqua Solo Piano Competition, Indianapolis Matinee Musicale Competition, Ben L. Gomez Piano Competition, National Society of Arts and Letters Instrumental Competition, Hanoi International Piano Competition, Haneol Music Competition, and Korea Piano Society Competition. He is a sought-after collaborator whose repertoire encompasses all instruments, from strings to percussion, as well as vocal works. He has collaborated with renowned musicians such as Kathleen McLean, Stephen Lange, and Angel Subero. An active chamber musician and educator, Kim performs regularly with his piano trio and has given master classes at universities. He also serves the IU Piano Academy as a piano duet coach. Kim's early education in music composition led him to his activities as an arranger of classical, jazz, pop songs, and hymns for solo piano, and four-hands piano settings, performed by him and his wife, pianist Elizabeth Yao, and uploaded to his YouTube channel. More than 7,000 copies of his music have been sold on Musicnotes. Kim earned a Doctor of Music in Piano Performance degree with double minors in music theory and early music (harpsichord) at the Jacobs School as a protégé of Arnaldo Cohen, with whom he also completed a Master of Music degree. His early keyboard studies were with Elisabeth Wright. Kim earned a Bachelor of Music in Piano Performance degree from Seoul National University, where he studied with Hyoung-Joon Chang. Hailed by critics as a "superior poet" (Vancouver Sun) and praised for his "heart and indomitable will" (Gramophone), Grigory Kalinovsky has performed at some of the world's major venues, from all three stages of Carnegie Hall in New York to Laeiszhalle (Musikhalle) Großer Saal in Hamburg. His recording with pianist Tatiana Goncharova featuring Shostakovich's Violin Sonata and 24 Preludes was released by Centaur Records to great critical acclaim and hailed by the composer's son, conductor Maxim Shostakovich, as "a must-have for any Shostakovich music connoisseur." The duo's recording of the complete set of sonatas for violin and piano by Mieczysław Weinberg was released on Naxos label in 2017. A devoted educator, Kalinovsky has been on the faculty at the IU Jacobs School of Music since 2013. His book ViolinMind, on theory and technique of playing using different tuning systems, written in collaboration with famed cello professor Hans Jørgen Jensen, was published by OvationPress in 2019. Kalinovsky has presented master classes at many major music schools and festivals in the United States and abroad, including the New England Conservatory, Colburn School, University of Maryland, San Francisco Conservatory, Sibelius Academy in Helsinki, Buchmann-Mehta School of Music and Jerusalem Music Center in Israel, Hochschule für Musik "Hanns Eisler" in Germany, Beijing Central Conservatory in China, and Seoul National University and Korea National University of Arts in South Korea. He has recently recorded several hours of violin technique pedagogy videos for Tonebase Violin. His students have won top prizes at national and international competitions, including the Spohr International Violin Competition, Tibor Varga Junior Competition, Menuhin Young Artists Competition in England, and Andrea Postacchini Young Violinists Competition in Italy, among others. Kalinovsky started his music education with Tatiana Liberova in his native St. Petersburg, Russia. After coming to New York, he continued his studies with Pinchas Zukerman and Patinka Kopec at the Manhattan School of Music, where he later served as a faculty member for 15 years until his move to Indiana University.Elizabeth Yao is lecturer in music in piano at the Indiana University Jacobs School of Music, where she coordinates its secondary piano program and directs the Young Pianists program and the Summer Piano Academy. Yao has been praised for her sincerity of expression and the "intelligent, emotional coherence" of her musical interpretations. She has been featured as guest soloist with the Coeur d'Alene Symphony and as a guest artist on Spokane Public Radio's From the Studio. Other distinctions include prizes and awards from the Southern Illinois Young Artists Organization Instrumental Competition, Indianapolis Matinee Musicale Collegiate Scholarship Competition, Lima Symphony Orchestra Young Artist Competition, and Ladies Musical Club of Seattle Award Tour Competition. As a collaborator, she has played with the University of Washington Symphony Orchestra and the modern music ensemble Inverted Space. An educator and a music advocate, Yao has worked with students of all ages and levels, with an emphasis on accessibility, student self-efficacy, and student wellness. She has toured with the San Francisco Symphony Adventures in Music educational outreach program, performing to and teaching thousands of elementary school students. She has presented her research at the Music Teachers National Association (MTNA) Collegiate Chapters Symposium and has been a guest panelist at the Jacobs School's Office of Entrepreneurship and Career Development and the Cincinnati College-Conservatory of Music MTNA collegiate chapter. Yao earned a Doctor of Music degree from the Jacobs School of Music, with double minors in music theory and music history and literature, under the tutelage of André Watts. Her dissertation, "Let the Record Show," analyzes historical and recent recordings as an entry point for contextualizing and understanding the evolution of performance practices over the past 100 years. She earned a master's degree from the San Francisco Conservatory of Music under the guidance of Mack McCray and graduated magna cum laude from the University of Washington with double bachelor's degrees in piano performance (with honors) and Chinese. Yao lives in Bloomington, Indiana, with her husband and dog. Meeting URL:

Enjoy this performance from almost anywhere in the world viaLIVE@jacobs!About the DirectorsKevin Bobo is professor of music in percussion at the Indiana University Jacobs School of Music, a position he has held since 2007. Prior to his appointment at the Jacobs School, he served as assistant professor of percussion at the University of Kansas (2003-07). He studied percussion with J. C. Combs and Gordon Stout and composition with Greg Woodward and Dana Wilson. Internationally respected as a solo marimba artist, Bobo has performed on five continents. His travels have taken him to Taiwan, Singapore, Argentina, Puerto Rico, Mexico, Australia, Spain, Latvia, Lithuania, France, Italy, the Czech Republic, and nearly 40 states in the United States. As a composer, Bobo's compositions are performed all over the world, with his solo works frequently appearing on international competition repertoire lists. He has authored two method books and composed numerous pieces for a variety of instruments and ensembles.Joseph Gramley is professor of music in percussion and chair of the Percussion Department at the Indiana University Jacobs School of Music. A Grammy Award-winning multi-percussionist, Gramley has performed and taught internationally as a soloist and chamber musician, in addition to playing with major symphony orchestras. He released eight albums as a founding member of the Silkroad Ensemble and served as the group's first associate artistic director, working directly with Yo-Yo Ma. Gramley's two solo recordings, American Deconstruction and Global Percussion, represent definitive, milestone works in the modern multi-percussion canon. Gramley came to Bloomington after 12 years of leading the percussion program at the University of Michigan, where he successfully placed a generation of percussionists in varied posts worldwide—from symphony orchestras to Broadway, and top-tier universities and conservatories to world stages with pop artists and chamber musicians alike. His versatility as a percussionist has found him performing alongside a broad cross section of artists, including Ma, Elton John, Michael Stern, Renee Fleming, Wu Man, Glen Velez, and Keiko Abe. Gramley's cross-genre collaborations have seen him involved with more than 100 new commissions from the leading composers of our time. His duo, Organized Rhythm, with Clive Driskill-Smith, is the world's premier and most active organ/percussion collaboration. Born in 1970, Gramley grew up in Oregon and was named a presidential scholar in the arts in 1988. He did his undergraduate work at the University of Michigan. Festival experience includes Tanglewood, Salzburg Mozarteum, Spoleto Festival, Hong Kong, Guangzhou, and 15 summers at the Marlboro Music Festival. He made his concerto debut with the Houston Symphony and his solo debut at Carnegie Hall's Weill Recital Hall. Gramley earned his master's degree from Juilliard and directed its Summer Percussion Seminar for 17 years. (Photo by Brandon Ilaw)John Tafoya is professor of music in percussion at the Indiana University Jacobs School of Music. He served as principal timpanist of the National Symphony Orchestra from 1999 to 2007. Tafoya has held previous principal timpani positions with the American Wind Symphony, National Repertory Orchestra, Owensboro Symphony (Kentucky), Evansville Philharmonic Orchestra (Indiana), and Florida Philharmonic Orchestra. He has also performed with the symphony orchestras of Indianapolis, St. Louis, Baltimore, and Detroit. Tafoya has presented numerous master classes and clinics at universities across the United States and Canada. He was a featured clinician at the Percussive Arts Society International Convention (PASIC) in 2002, 2007, and 2011. His website, johntafoya.com, is accessed by thousands of percussion students and professional players each month. He has served on the faculties of the University of Evansville, Kentucky Wesleyan College, Florida International University, and University of Maryland. He is the author of two orchestral timpani repertoire books: The Working Timpanist's Survival Guide (2004), published by Carl Fischer, and Beyond the Audition Screen (Hal Leonard, 2011). Tafoya performed on the award-winning recording of Mahler's Symphony No. 1 by the Florida Philharmonic Orchestra under the direction of James Judd and on orchestral recordings by the St. Louis Symphony Orchestra and the National Symphony Orchestra under the direction of Leonard Slatkin. Tafoya can also be heard on the American Wind Symphony Orchestra's CD Concertos All and Sundry performing Kaoru Wada's Concertante for Timpani, Percussion, and Winds under the direction of Robert Austin Boudreau. Tafoya also participated on the Summit Brass CD All American Brass (Pro Arte, 1987) and on the 1992 Arkay CD William Albright: Music for Organ and Harpsichord, featuring organist Douglas Reed. Tafoya has worked under many prestigious conductors, including Marin Alsop, Vladimir Ashkenazy, James Conlon, Christoph von Dohnányi, Christopher Hogwood, Lorin Maazel, Mstislav Rostropovich, Leonard Slatkin, John Williams, Hugh Wolff, and David Zinman, among others. He proudly endorses American Drum Manufacturing Co., Avedis Zildjian Company, Grover Pro Percussion, Remo Inc., and Yamaha Corporation. Meeting URL:

About the DirectorsKevin Bobo is professor of music in percussion at the Indiana University Jacobs School of Music, a position he has held since 2007. Prior to his appointment at the Jacobs School, he served as assistant professor of percussion at the University of Kansas (2003-07). He studied percussion with J. C. Combs and Gordon Stout and composition with Greg Woodward and Dana Wilson. Internationally respected as a solo marimba artist, Bobo has performed on five continents. His travels have taken him to Taiwan, Singapore, Argentina, Puerto Rico, Mexico, Australia, Spain, Latvia, Lithuania, France, Italy, the Czech Republic, and nearly 40 states in the United States. As a composer, Bobo's compositions are performed all over the world, with his solo works frequently appearing on international competition repertoire lists. He has authored two method books and composed numerous pieces for a variety of instruments and ensembles.Joseph Gramley is professor of music in percussion and chair of the Percussion Department at the Indiana University Jacobs School of Music. A Grammy Award-winning multi-percussionist, Gramley has performed and taught internationally as a soloist and chamber musician, in addition to playing with major symphony orchestras. He released eight albums as a founding member of the Silkroad Ensemble and served as the group's first associate artistic director, working directly with Yo-Yo Ma. Gramley's two solo recordings, American Deconstruction and Global Percussion, represent definitive, milestone works in the modern multi-percussion canon. Gramley came to Bloomington after 12 years of leading the percussion program at the University of Michigan, where he successfully placed a generation of percussionists in varied posts worldwide—from symphony orchestras to Broadway, and top-tier universities and conservatories to world stages with pop artists and chamber musicians alike. His versatility as a percussionist has found him performing alongside a broad cross section of artists, including Ma, Elton John, Michael Stern, Renee Fleming, Wu Man, Glen Velez, and Keiko Abe. Gramley's cross-genre collaborations have seen him involved with more than 100 new commissions from the leading composers of our time. His duo, Organized Rhythm, with Clive Driskill-Smith, is the world's premier and most active organ/percussion collaboration. Born in 1970, Gramley grew up in Oregon and was named a presidential scholar in the arts in 1988. He did his undergraduate work at the University of Michigan. Festival experience includes Tanglewood, Salzburg Mozarteum, Spoleto Festival, Hong Kong, Guangzhou, and 15 summers at the Marlboro Music Festival. He made his concerto debut with the Houston Symphony and his solo debut at Carnegie Hall's Weill Recital Hall. Gramley earned his master's degree from Juilliard and directed its Summer Percussion Seminar for 17 years. (Photo by Brandon Ilaw)John Tafoya is professor of music in percussion at the Indiana University Jacobs School of Music. He served as principal timpanist of the National Symphony Orchestra from 1999 to 2007. Tafoya has held previous principal timpani positions with the American Wind Symphony, National Repertory Orchestra, Owensboro Symphony (Kentucky), Evansville Philharmonic Orchestra (Indiana), and Florida Philharmonic Orchestra. He has also performed with the symphony orchestras of Indianapolis, St. Louis, Baltimore, and Detroit. Tafoya has presented numerous master classes and clinics at universities across the United States and Canada. He was a featured clinician at the Percussive Arts Society International Convention (PASIC) in 2002, 2007, and 2011. His website, johntafoya.com, is accessed by thousands of percussion students and professional players each month. He has served on the faculties of the University of Evansville, Kentucky Wesleyan College, Florida International University, and University of Maryland. He is the author of two orchestral timpani repertoire books: The Working Timpanist's Survival Guide (2004), published by Carl Fischer, and Beyond the Audition Screen (Hal Leonard, 2011). Tafoya performed on the award-winning recording of Mahler's Symphony No. 1 by the Florida Philharmonic Orchestra under the direction of James Judd and on orchestral recordings by the St. Louis Symphony Orchestra and the National Symphony Orchestra under the direction of Leonard Slatkin. Tafoya can also be heard on the American Wind Symphony Orchestra's CD Concertos All and Sundry performing Kaoru Wada's Concertante for Timpani, Percussion, and Winds under the direction of Robert Austin Boudreau. Tafoya also participated on the Summit Brass CD All American Brass (Pro Arte, 1987) and on the 1992 Arkay CD William Albright: Music for Organ and Harpsichord, featuring organist Douglas Reed. Tafoya has worked under many prestigious conductors, including Marin Alsop, Vladimir Ashkenazy, James Conlon, Christoph von Dohnányi, Christopher Hogwood, Lorin Maazel, Mstislav Rostropovich, Leonard Slatkin, John Williams, Hugh Wolff, and David Zinman, among others. He proudly endorses American Drum Manufacturing Co., Avedis Zildjian Company, Grover Pro Percussion, Remo Inc., and Yamaha Corporation.

About the DirectorAndy Miller is lecturer in music in percussion at the Indiana University Jacobs School of Music, with an emphasis in Latin jazz and Afro-Latin percussion music. An engaging performer and passionate educator, he navigates the diverse world of percussion with technical and musical precision across a broad range of artistic practices. Fostering a deep interest in the percussion music of the African diaspora, Miller has studied with master percussionists in the United States and internationally. A Fulbright grant recipient, Miller studied Afro-Colombian currulao, cumbia, and bullerengue in Colombia with La Wey Segura, Francis Lara, and Emilsen Pacheco, later returning on a Presser Graduate Music Award to study joropo music with Fernando Torres Ramirez. Miller conducted field research in Brazil with Jorge Alabê for his doctoral project, "The Language of Drumming in Afro-Brazilian Candomblé Ketu." His study of bomba percussion, song, and dance took him to Puerto Rico to study with Beto Torrens, Marién Torres, Rafa Maya, and Hector "Coco" Baréz. He studied Guinean mande drumming with Bolokada Conde and Afro-Cuban folkloric and popular percussion with Michael Spiro. Miller also champions percussion art music by Latin American composers, including a performance of Ricardo Lorenz's Venezuelan maracas concerto Pataruco with the Jacobs School's University Orchestra. Commissions include Maria José by Luis Fernando Sanchez Gooding, Silent Surface by Rafael Llanos, and Monologue IV: Bilingüismo by José Martinez. His commitment to new music has led to residencies with the Bang on a Can Summer Music Festival and the Atlantic Music Festival Contemporary Ensemble. His collaborations with choreographers as a composer/performer have premiered in New York City, throughout the Midwest, and internationally. Miller served as music director of the University of Wisconsin–Milwaukee Dance Department (2017-24), accompanying classes in styles including modern, ballet, West African, and Afro-Latin dance. He previously taught percussion at the Lawrence University Conservatory of Music, Olivet Nazarene University, and Bembé Drum and Dance. Miller earned degrees from IU (D.M.), the University of Illinois Urbana-Champaign (M.M.), and Wright State University (B.M.).

About the DirectorsWayne Wallace is professor of practice in jazz studies and jazz trombone at the IU Jacobs School of Music. A seven-time Grammy nominee, he is one of the most respected exponents of African American Latin music in the world today. Wallace is known for his use of traditional forms and styles in combination with contemporary music and has earned wide critical acclaim, including placement in both the trombone and producer categories of the DownBeat Critics Poll. An accomplished arranger, educator, and composer with compositions for film and television, he has received grants from the Creative Work Fund, the National Endowment for the Arts, the Lila Wallace Foundation, and the San Francisco Arts Commission. Wallace has performed, recorded, and studied with many acknowledged masters of the Afro-Latin and jazz idioms, such as Aretha Franklin, Bobby Hutcherson, Earth Wind and Fire, Pete Escovedo, Santana, and many more. This experience has provided a solid foundation for Wallace's current explorations of the intersections of a wealth of cultural styles and rhythmic concepts. Born and raised in San Francisco, Wallace was exposed to blues, country and western, R&B, jazz, and Afro-Caribbean music at an early age. The fertile musical environment of the San Francisco Bay Area shaped his career. His studies of Afro-Latin music and jazz include trips to Cuba, New York City, and Puerto Rico. Widely respected as a teacher and historian, Wallace has taught at San José State University, Stanford University, and the Jazzschool in Berkeley. He has conducted lectures, workshops, and clinics in the Americas and Europe since 1983. Head of the critically acclaimed Patois Records, Wallace has created a unique record label with a passionate mission of developing and chronicling the multilingual styles of the San Francisco Bay Area music scene. Under his direction the label has released 13 recordings to critical acclaim, including recordings by Wallace, Marc and Paul van Wageningen, and vocalists Kat Parra, Alexa Weber-Morales, and Kristina. He is an endorser of Conn-Selmer trombones.Andy Miller is lecturer in music in percussion at the Indiana University Jacobs School of Music, with an emphasis in Latin jazz and Afro-Latin percussion music. An engaging performer and passionate educator, he navigates the diverse world of percussion with technical and musical precision across a broad range of artistic practices. Fostering a deep interest in the percussion music of the African diaspora, Miller has studied with master percussionists in the United States and internationally. A Fulbright grant recipient, Miller studied Afro-Colombian currulao, cumbia, and bullerengue in Colombia with La Wey Segura, Francis Lara, and Emilsen Pacheco, later returning on a Presser Graduate Music Award to study joropo music with Fernando Torres Ramirez. Miller conducted field research in Brazil with Jorge Alabê for his doctoral project, "The Language of Drumming in Afro-Brazilian Candomblé Ketu." His study of bomba percussion, song, and dance took him to Puerto Rico to study with Beto Torrens, Marién Torres, Rafa Maya, and Hector "Coco" Baréz. He studied Guinean mande drumming with Bolokada Conde and Afro-Cuban folkloric and popular percussion with Michael Spiro. Miller also champions percussion art music by Latin American composers, including a performance of Ricardo Lorenz's Venezuelan maracas concerto Pataruco with the Jacobs School's University Orchestra. Commissions include Maria José by Luis Fernando Sanchez Gooding, Silent Surface by Rafael Llanos, and Monologue IV: Bilingüismo by José Martinez. His commitment to new music has led to residencies with the Bang on a Can Summer Music Festival and the Atlantic Music Festival Contemporary Ensemble. His collaborations with choreographers as a composer/performer have premiered in New York City, throughout the Midwest, and internationally. Miller served as music director of the University of Wisconsin–Milwaukee Dance Department (2017-24), accompanying classes in styles including modern, ballet, West African, and Afro-Latin dance. He previously taught percussion at the Lawrence University Conservatory of Music, Olivet Nazarene University, and Bembé Drum and Dance. Miller earned degrees from IU (D.M.), the University of Illinois Urbana-Champaign (M.M.), and Wright State University (B.M.).